《萨乐美》电影高清免费观看全集剧情片-柏强影院

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片名:《萨乐美》

类型:剧情片

上映时间:1923

上映地区:美国

导演:查尔斯·布莱恩特,艾拉·娜兹莫娃

主演:艾拉·娜兹莫娃

集数: 完结

语言:其它

剧情片《萨乐美》十分经典,由【柏强影院】为您推荐分享.《萨乐美》上映于1923年,因为深受大家欢迎,评分高达9.0.《萨乐美》由著名导演查尔斯·布莱恩特,艾拉·娜兹莫娃指导拍摄,《萨乐美》场面宏大剧情生动,《萨乐美》的人物性格丰满非常有趣,《萨乐美》的演员:艾拉·娜兹莫娃表演到位,吸引了大批《萨乐美》的粉丝.追番就在【柏强影院】.

《萨乐美》剧情简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.

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